Brown Bunny (In-Progress) 2023
Inspired by filmic rotoscopy and Dada traditions of making this signal processing project is an atempt to continue developing a films digital texture. The surreal slow cinema of Vincent Gallo’s The Brown Bunny (2003) contains dreamy qualities in terms of duration and immaterial character relations and dialogue. Since there is a co-existence between reel cinema and digital cinema through transcodings, remasterings, platforms, and movie sampling why does the life of a film have to stop with the print and filmmaker? This is not an atempt to restructure a movie but instead redevelope its pixels and consequent media qualities.
Below are clips from a DVD whose image is modified using an analog video mixer and module.
Below are clips from a DVD whose image is modified using an analog video mixer and module.
Media Artist + Researcher
︎Sustainability Thru Signal Processing︎2022
Always On
The Vidiot
TeleComputer
2021
NYC ATM ML
Pursuing Earth
THE LIBERTARIAN
Wiley Weatherman
ReWind Compressor
Discarding Earth
Being A Passenger
2020
Can(t) See Me Now!
THE APP
2019
PATS
2018
Ice Cream Drone
2015
Vanilla ISIS
2017
Invisible Foci
2014
Digital Synthesis Illustration
2013
Roody’s Room
Synthesis Ilustration
2011
Verse
Master (Series)
Video Being
2010
Dance Aches
Bangalor
Artist Bio
CV
︎ macherno@buffalo.edu︎intermedianary
©2022 Michael Chernoff